3/11/2023 0 Comments Wind river cast![]() Sheridan asserts that the modern reservation system perpetuates and even enables these assaults to happen. Sheridan himself has said that Wind River is based on the thousands of assaults on Native American women (1). In Wind River, Sheridan continues his examination of Native Americans but shifts the entire focus to their tragic legacy. Sheridan’s films may be a little pretentious but he manages to convey subtext without having to bludgeon audiences with his messaging. For good measure, Sheridan even threw in further rumination on the very nature of such predators as it relates to the legacy of Native Americans. In Hell or High Water, Sheridan brilliantly excoriated the financial predators that lead America to the financial crisis of 2007, while executing an exciting, distinctly Texan, heist movie. Yet Sheridan still found time to examine the backdrop of family life in Mexico under the shadow of a Cartel. War on Drugs grafted onto a tense mystery thriller. In Sicario we were given grim analysis of the current state of the U.S. Sheridan’s films always contain more than is first presented on the surface. They are tasked with tracking a murderer in this meditative thriller set on the frozen landscape of Wyoming. Fish and Wildlife tracker and an FBI agent. Jeremy Renner and Elizabeth Olsen respectively star in Wind River as a U.S. Fresh from writing back-to-back stellar films, Sicario and Hell or High Water, Sheridan gives us another gem with Wind River. But the words are so beautiful and come from such a place of deep truth, it’s hard not to be moved, and they help give “Wind River” a simultaneous sense of timelessness and immediacy.Taylor Sheridan is on a roll. He’s all masculine stoicism and bitter swagger until he isn’t, and watching his proud veneer crumble is shattering.Īt times, Sheridan has his characters spell out a little too clearly what they’re thinking and feeling, and that’s often the case in the exchanges between Cory and Martin. Renner also has several powerful scenes with Gil Birmingham (who played a crucial supporting role in “Hell or High Water”) as Natalie’s grieving father, Martin. And while fellow Avengers Renner and Olsen have a natural, understated chemistry, Sheridan mercifully doesn’t throw their characters together in an awkward, needless romance. Sheridan handles the relationship between Jane and Cory deftly: They’re equals, but they also need and learn from each other. (Cinematographer Ben Richardson, whose work includes the ravishing and dreamlike “ Beasts of the Southern Wild,” helped create the richly atmospheric visuals.) “This is the land of: You’re on your own.”Īnd so as Cory works with Jane to unravel the mystery of what happened to Natalie in this remote, secretive land, he also must finally face what happened to his own child. “This isn’t the land of backup, Jane,” he says to her in explaining life on the reservation. She’s been sent from the Las Vegas office and is so ill-equipped for this place and this weather that she has to borrow snow gear-from the closet of Cory’s late daughter, which adds to the prevailing sense of grief. But so, too, do the feds, in the form of newbie FBI agent Jane Banner ( Elizabeth Olsen). Since the death occurred on the Wind River reservation-and Natalie, like Cory’s daughter, was Native American-the tribal police get involved in the investigation, led by the great Graham Greene as the dryly humorous, no-nonsense chief. He recognizes her as Natalie ( Kelsey Asbille), the best friend of his teenage daughter, who also died mysteriously a few years earlier. ![]() On one of Cory’s hunting expeditions, he comes across the frozen body of a young woman we’d seen her at the film’s start, frantically running barefoot in the middle of the night under a crisp, full moon. ![]() But Sheridan’s script can be just as powerful in its quiet moments like these-in what the characters don’t say to each other. There’s specificity to the way the characters talk, a poetry that can be quite moving or it can clang on the ear. He’s a protector because it’s his job, but as we learn throughout the course of the film, that calling has become deeply personal. When we first see Jeremy Renner’s Cory Lambert, a tracker well-versed in the Wyoming wilds, he’s lying on his belly in the snow, camouflaged with his rifle, picking off wolves that have been preying on sheep. Sheridan drops us in and we know this place immediately his storytelling is meaty but efficient, and his pacing moves along at a steadily engrossing clip before ultimately exploding in a startling blast of violence.Ī moody procedural, “Wind River” is heavy with symbolism from the start-perhaps, too much so. You can hear the crunch of snow and feel the bitter chill, which runs so deep that it can be deadly. “Wind River” is full of vast, scrubby expanses that give way to pristine blankets of white, interrupted only by a snowmobile slashing a solitary path. ![]()
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